I don't know why this irks me so much, but...
That sums it up for me perfectly.ReiTheJelly wrote:People very rarely complain about cel sequences being split up and sold separately. Why should someone be denied access to owning a piece of a pivotal moment simply because they couldn't afford to plunk down $1k for the whole shebang?
When people buy every cel they can find from a single, highly desirable sequence, they're accused of hoarding. Why is it so different with sketches? As far as I'm concerned, it seems a little sad if an entire cut of sketches from some wonderful, pivotal moment disappears into someone's collection, never to be seen again - or only seen if you happen to know where to look for it on the web. Sure the sketches are still together, but who's getting anything out of them except the one owner?