I figured this was worth moving to a new thread as I'd guess other power CCS collectors would want to chime in and correct/differ with what I have to say.Gonzai wrote:Nice update Sensei. I also really like the CCS cels,
however, I am still unsure what makes one CCS cel more exciteable
or collective worthy then others. I always see so many up for
auction, but never was sure what makes collectors fight for some,
while others go on for months without bids.I must say, you
have great taste in CCS cels, they are all really quite lovely. I know
you said one other time when I asked, but do you mind refreshing my
memory on what it is that draws you to certain CCS cels?
First, the dual pleasure/pain of collecting CCS is that there is so darn much inventory on the market all the time. Some studios and jobbers have been cautious about moving inventory to market and so tend to put up just a few nice items at a time, keeping interest (and prices) high. Inuyasha is a good example: there are more IY cels out there than for CCS, but while there are as many as 500+ CCS cels up at any given time on YJ, there are rarely more than 30 for IY. And as they are always at least middle-quality and often high-end, they get bid on and disappear, to be replaced by other nice items.
By contrast, there's too much CCS available all over the place for even a committed collector to work through! It's not unusual for me to stop in after a protracted break from auction-browsing and find something nice that's already gone around without a bid once, twice, or more.
So collectors can be really picky and (like me) still nab outrageously nice cels for the opening bid, as I did for all 3 of my new CCS cels.
My rough'n'ready criteria: artistically compelling image, major scene, key/end cel, with background if possible, no major damage. Price used to be an issue, though lately I've been more willing to spend a premium price for a primo cel and update less often. And I keep an eye out for sharks, as I like to avoid bidwars when I can, sometimes counting down an item to the last second and then putting in the opening bid just before the hammer.
What makes others go up steeply in price? CCS has many unique costumes that are pretty in themselves (a reflection of CLAMP mangaka Mokona Apapa's contribution to the series). Nice cels of unusual costumes, such as Sakura "pink kitty" outfit or the first "Alice in Wonderland" (the blue-and-white one in Ep. 24, not the "heart" one in 55), will nearly always go high. There are also lots of unique and well-designed Card Spirits. Some of these appear only briefly, and so a nice cel of, say, The Dark (who appears only once), or The Time (ditto) will always attract bidders.
Some collectors even do a kind of "Cardcaptor" quest for one cel/sketch of every costume or every Card. Others "specialize" in a given costume or scene, making it hard-as-heck to get these. For a time, one collector virtually sewed up all the "Dragonslayer" (Sakura and the Mysterious Book) items due to a personal obsession with this story.
The androgynous Yue draws lots of collectors (mainly female) out of the shadows, and the Yue/Touya "power transfer" scene is so well-known that nearly any nice image from around this moment will go high. On the other hand, many male collectors develop a fascination with Tomoyo, and so nice cels of her will often go surprisingly high.
Other than that, there's not much mystery: pan cels (particularly from the Okase feature), episode-beginning and episode-ending images, OP cels, and movie cels will, as in any series, command higher prices. The single highest CCS price I've seen paid was for the last front-on portrait of Sakura shown at the very end of the last episode of the TV series, which showed up on YJ in November 2007. (It went to a still-unidentified SMJ bidder for the opening bid of 500,000 yen -- not to me alas!)
That said, it remains a very good time to start a CCS collection. I'm happy with what I've managed to put together in the 8 years I've been in the field, but if I were to start again, I could probably have nearly as much fun starting up and developing the core of an equally nice collection with just what's available now plus the occasional "gallery offers" opportunity. (Thank you again, Carly!!!)