this weekend, but at a quick glance, no surpise, I found the Rozen pieces are quite stunning, but the Microid
cels are rather quirky and neat in a fun sort of way, Unico looks really cute too....
Thanks for sharing!

Definitely! I got the Ep. 3 storyboard years ago just because it was cheap and I wanted to see what an original storyboard looked like. Browsing it was like having a wild acid dream, and now that I'm starting to find cels, I appreciate the way, way over the top final effect they wanted. The team that made it were Toei regulars taking a break from DBZ, and it certainly shows.Quacker wrote:The Condition Green OVA Cels are very...........out there & psychedelic in their execution.
Quacker wrote:The Microid S gallery always makes for a fascinating read
I'm hoping that the attention Osamu Tezuka is getting over here will spur someone to do a good translation of the manga. It has a pretty solid reputation in Japan, even if the anime (apparently) waters it down to make a 26-episode series out of it. Yanma, being the leader of the group, gets most of the screen time, but I'm totally bemused by the "bean beetle" pest, Mamezo, and am always on the lookout for new cels of him (and of butterfly Ageha).teggacat wrote: the Microid cels are rather quirky and neat in a fun sort of way
Quacker wrote: The Shinku set is simply stunning + knowing that there is little doubt it was drawn by Ishii-san is an added bonus.
Thanks: it's a stunner of a 12-episode series, a good argument for this length as ideal to explore certain ideas. It was long enough to define and explore the psychological problem, not so long that it began to be heavy on derivative and repetitious filler episodes. And Kumi Ishii's sketching style is crazy good! Some of the Ep. 1 gengas I just love to look at, monitoring how my eyes move around the paper, finding more and more to notice. A good example of how one talented artist can leave a palpable imprint on an episode and indeed a whole series.teggacat wrote: I found the Rozen pieces are quite stunning
The unicorn is certifiably cute, but the stories all have a certain Tezuka sting in their tails. That draws me more than the cuddly parts.teggacat wrote: Unico looks really cute too....
It is enjoyable in its gender-bending way. I should borrow my daughter's copy and watch it all the way through. Meantime I'm lurking to see if any more roughs show up on the market. So far all I've seen is the occasional out-of-context douga.Killua wrote: I'm really enjoying the Ouran.
You're not late at all, and there's always a cookie reserved for you at the start of the tour.tex-chan wrote:I'm terribly late to the party, but better late than never!
It's just five hours out of your life ... and five good hours with surprises, humor, ah-ha! moments, and genuine psychological horror. And several unforgettable moments that hit with all the force of a much deserved slap or punch in the face. Rie Tanaka (Chii/Black Chii in Chobits) was much celebrated for her voicing of this role, especially her evil laugh. There is even a "Suigintou Voice Alarm Clock" that was produced as a spin-off from the series. I saw one once on YHJ, but alas it had already been bid up over 20,000 yen.The Rozen Maiden sketches, as always, are captivating. I have yet to attempt this series, but I am always intrigued by your artwork from it. the rough of Suiginto really captures her expression and personality. That sketch just gives me a shiver! I wouldn't like to face-off with her as my enemy, that's for sure.
I'm happy to have gotten two with Eros, who plays a pivotal role in the manga (and in the ancient myth used by Tezuka in the backstory), even though he does not appear in the surviving footage of the Unico pilot. But from other cels, I can see that Tezuka Productions did animate this scene, which is really central to understanding what Unico's perpetual exile is all about.I enjoyed the Unico pieces very much! It's nice to see some really lively and motion-filled images from this show come into your gallery. The ones you've added seem to be gems, too.
I love Mamezo -- such a typical kid who is determined to enjoy being cyborgized into a cousin of a Japanese beetle. But Yanma also is an important hero in anime, and so it's great to enlarge my collection of him too. I've been around long enough that I used to practice clawhammer banjo, and put Sally Hansen Hard as Nails with Nylon on my picking fingernail. But then making mimeos for my writing classes meant that it always got stained an indelible purple. Years later the colleague who eventually married me admitted that she vaguely thought that having one purple fingernail had something to do with displaying your peculiar sexual orientation.The Microids cels are fantastic!! Love the grumpy expression of Mamezo contrasted with Yanma's determination. These cels have little character designs that definitely pack a huge impact!! And the mimeograph storyboards!! Wow!! What a blast from the past.
She really is one of the amazing character designs of early 90s anime, and it's a pity that the OVA itself is unavailable. By Googling her name (in katakana -- it could be Liza or Raisa) you can search through acres of erotica and not find one single description of her and her central role in this series.And Condition Green!! Woo Hoo!! That Bad Girl cel is so fantastic that I can't help wanting to cheer her on -- just a little bit. What a pretty, pretty image. I'm not sure you could get a more perfect cel of her, even if you cashed in three wishes to do so.
Thank you! Getting a memorable image is one joy, but I find the digging around for context and background information a second joy, often of equal or stronger power. And you are always welcome, updates or no.I appreciate the time and effort you put into researching the shows represented there.
It's been a while since i've last seen Rozen Maiden Traumend, but i believe it deviated considerably from the story of the original manga. It also ends on a frustrating, totally unsatisfying cliffhanger. It's otherwise a rather good season, but i could certainly imagine why you might want to give it a miss. I would strongly recommend watching Ouverture however, as it does an excellent job of showing just how Suigintou became what she is and making her a great deal more relatable as a character. After watching Ouverture, the Shinku/Suigintou relationship will seem far less black and white than it did in the first TV series.sensei wrote:I guess it's partly that I'm not fond of sequels. Suigintou is so bad and so obsessive in being bad that her horrific demise is absolutely right in a narrative sense. So how could I possibly watch a second season where they put her all back together again and introduce a new doll who is supposedly even badder than she was? I have it, and I know Ishii-san did the animation supervision for this too. But have never found a reason strong enough to give it a try. I could be tempted by "Ouvertuere" though.
sensei wrote:I guess it's partly that I'm not fond of sequels. Suigintou is so bad and so obsessive in being bad that her horrific demise is absolutely right in a narrative sense. So how could I possibly watch a second season where they put her all back together again and introduce a new doll who is supposedly even badder than she was? I have it, and I know Ishii-san did the animation supervision for this too. But have never found a reason strong enough to give it a try. I could be tempted by "Ouvertuere" though.