Framing Genga
Posted: Fri Nov 24, 2017 9:22 pm
I've been thinking about how I would display a genga. I realize there are some potential hazards to display, but I would want to put it where I can see it. I'm not sure of the exact size, but from what I've read I think they're often roughly about 9"x12". I would expect Japanese studios to use a metric size that works out to not quite 9"x12", maybe 22cm x 30cm? My understanding is that genga are easier and less volatile to handle in this way than plastic cels.
I was thinking about a nice, white, mass-produced shadow box about 2" deep. It would be a bigger that the genga, don't know how much. Maybe I could get some UV filter glass or acrylic to put it it. I'm not really sure how to properly hang the genga in the shadow box though. I'd thought about trying to place fixtures in the backing to line up with the registration holes, but that might damage it. The backing of the shadow box might have acid in it, too.
Another option would be a fairly simple frame, oversized with a custom acid free mat from a frame store, and probably an anti-UV lens. Not very fancy, but would get the job done. I would want some minimum of protection anyway. Only thing is, the drawing would probably make direct contact with the lens.
I wouldn't want a shadow box for every piece of production art, of course. Just the ones I like best. Right now, I'm not counting on having any particular number of them, even one at this point, but I'm thinking all the same.
I was thinking about a nice, white, mass-produced shadow box about 2" deep. It would be a bigger that the genga, don't know how much. Maybe I could get some UV filter glass or acrylic to put it it. I'm not really sure how to properly hang the genga in the shadow box though. I'd thought about trying to place fixtures in the backing to line up with the registration holes, but that might damage it. The backing of the shadow box might have acid in it, too.
Another option would be a fairly simple frame, oversized with a custom acid free mat from a frame store, and probably an anti-UV lens. Not very fancy, but would get the job done. I would want some minimum of protection anyway. Only thing is, the drawing would probably make direct contact with the lens.
I wouldn't want a shadow box for every piece of production art, of course. Just the ones I like best. Right now, I'm not counting on having any particular number of them, even one at this point, but I'm thinking all the same.