CCS was, as often, one beneficiary. For me a highlight was

This set-up of Yukito tending the unconscious Touya at the end of "The Scene."
Another was

Meilin vs. The Fight Card in a cut for which I've been lucky to find sequence-mates.
The Rayearth OVA gallery got another cel:

Ferio picking on Fuu while hovering overhead and saying everyone's gonna die anyhow. (He actually thinks she's cute and wants to see her get that jewel glowing and start flipping cars like everyone else in the OVA.)
But I'm starting to develop an interest in older anime as well, thanks to several Betarians' influence. My Microid S gallery (1973, Toei) is richer by five cels, some very nice. I especially like this one:

Yanma ("Dragonfly") in the clutches of Maimai ("Gypsy Moth") or maybe vice versa. The series is, as one might expect from the influence of Osamu Tezuka, especially rich in entomological concepts.
Also from the vaults, this treasure:

The human and semi-human questers from the opening animation of Maeterlinck's Blue Bird: Tyltyl and Mytyl's Adventurous Journey This 1980 Office Academy production looks quite intriguing from what I've learned about it.
Character design was provided by Leiji Matsumoto, already famous for his Space Battleship Yamato, also produced by Office Academy. Matsumoto also was the original creator of the Space Pirate Captain Harlock manga series (1977-79). The overall animation director was Toyoo Ashida, who had served in the same capacity for the Space Battleship Yamato movie (1977) and later was overall animation director for Fist of the North Star (1984+) and the Vampire Hunter D OVA (1985).
Maeterlinck's children's story is not well known in the United States, but it remains a classic in Europe, and I was intrigued to find that the anime Blue Bird version is still running in syndication on Italian cable TV after over a quarter of a century's exposure there.
Another more predictable treasure:

The arch-villainess Suigintou from the Rozen Maiden OP animation. This is a lovely sketch that is in many ways much more effective than the image's appearance on the screen, where it was blurred by the dark setting and overlaid by the credits to the studio staff.
And looking around you'll find more interesting stuff. Watch for a second half in about a week and a half, with more mean women with sharp objects and Golden Age anime.