kittens wrote: That is true but I wanna keep them FOREVER!!!!! (FOR MYSELF) if I were selling them I would not care
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Hey, isn't it like 1 am where you are??!! Get some sleep!

kittens wrote: That is true but I wanna keep them FOREVER!!!!! (FOR MYSELF) if I were selling them I would not care
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When I was a newbie, Vash told me that the first thing I should do is to replace celbag b/c it muct been there for a long time and to prevent a cel to stuck to the bag.... Also he told me I have to wear gloves when I deal with cels.....redwolf wrote: I don't talk when my cels are out of the bag because I'm too busy concentrating, but still...it's not something I've specifically thought about. The only other thing I do is put on a baseball cap to keep my unruly hair back.
I wouldn't recommend the same gloves though.glorff wrote:I wear cotton gloves..............smeared with oil..............when I clean my weapon.................swords and stuff![]()
Think that I should try them on cels too
I think their are some animators who collector cels, But remember once the cel is painted and dried it was often shipped to another studio to be filmed. Also most of the studios who do the painting out source to other studios, some even to overseas studios. So when the animator finishes the with the cels chances are it is the last time they will see it.lys wrote:I guess that is what happens when you paint almost the same thing 20 or so times for a scene (or less/more). Do you know of any animators that are cel collectors/admirers like us and actually appreciate they art they make?AnimeMuseum wrote: I don't know of any dealers who wear cotton gloves in Japan. You should see the state of cels when the studio is finished with the cels, to them they are waste and treated like waste. Pan cels are rolled up and cels are just thrown into its cut bag and then thrown into a box.