It’s Graymouser!<3
This off topic, but I wanted to say I love your site so much! Your collection is beautiful, and your helpful section of terminology has help me a lot (I referenced it more than once)! Thank you!

It’s Graymouser!<3
Hey I visit your site too.graymouser wrote: ↑Fri Mar 27, 2020 10:35 pm Thank you very much. Its nice to know someone has popped by for a visit.![]()
Pretty sure you're referring to meeternaltorture wrote: ↑Sat Apr 11, 2020 7:10 pmSince I joined, I've been reading a lot of past threads and the yearly resolution ones. I recall reading someone's transition from cels to shikishi. I think that's how it usually is lol. In my case though, I have only collected shikishi and now I want to start collecting cels. Is that weird?![]()
I feel like that'll happen to me eventually but with shikishi. Whenever I see them, I don't feel the urge to buy them anymore after seeing pages and pages of pretty cels.cutiebunny wrote: ↑Sat Apr 11, 2020 11:24 pmPretty sure you're referring to meeternaltorture wrote: ↑Sat Apr 11, 2020 7:10 pmSince I joined, I've been reading a lot of past threads and the yearly resolution ones. I recall reading someone's transition from cels to shikishi. I think that's how it usually is lol. In my case though, I have only collected shikishi and now I want to start collecting cels. Is that weird?![]()
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I toggle between shikishi and cels. I've gone years without buying cels and then I'll suddenly find something I really like and bid on it. I can't say that I've gone without purchasing at least one shikishi a year since I started to make the transition to them.
My experience has been that conventions have been cracking down on sketches since 2014. Conventions got some absurd idea that if an artist sketches for attendees, the attendees won't try to buy the artwork at auction. A lot of this is due to how much control corporate sponsors have over their guests. Corporations will bring over guests for larger conventions but then prevent them from doing much more than signing a pre-printed shikishi for guests. Meanwhile, the artist will draw something for the corporate sponsor. When it works out in your favor, it's great, but when you're going to large cons and standing in line for hours just to receive the same sqiggle that everyone else in line will receive, it's hard. Convention auction prices started to really increase for me in 2015, but I think that was because the economy had largely recovered from the 2008 housing crisis.
I think it depends on what you're looking for and how picky you are. At least, that's the case with me. There's a lot of artists that I'd love to get even a squiggle from, but then there are other artists where I want something really nice and that's all I'll settle for.eternaltorture wrote: ↑Mon Apr 20, 2020 9:19 pmI feel like that'll happen to me eventually but with shikishi. Whenever I see them, I don't feel the urge to buy them anymore after seeing pages and pages of pretty cels.
I still purchase the occasional cel from Sailor Moon and Cardcaptor Sakura. With CCS, the prices have really skyrocketed since I started collecting back in 2008(?). There used to be a seller that would put a couple small lots of 2-3 backgrounds on Yahoo Japan every week that I would buy from.What series do you still collect cels from?
I was tempted to go back to AX last year because of Hatori, but because I already owned one of her sketches and because I knew that her sponsor, Viz, was going to limit it to an autograph on a pre-printed board, I opted not to attend. I've been to many AXs in the past. I find that AX alternates between good and bad years, although the good has progressively gotten worse and more expensive to experience. When I last attended, I spent $1200 on 5 nights at Courtyard LA Live. At other conventions, I spend half that on a room for 4-5 nights.Yeah, I went to AX for the first time last year hoping to get a sketch from Bisco Hatori but they gave out pre-printed shikishi. Thankfully, it was pretty so I didn't mind but I really wanted a Tamaki or Honey sketch
Yeah, I've gotten a lot pickier with shikishi. Only getting ones on my list of "artists whose autographs/art I want" now.cutiebunny wrote: ↑Mon Apr 20, 2020 9:58 pm
I think it depends on what you're looking for and how picky you are. At least, that's the case with me. There's a lot of artists that I'd love to get even a squiggle from, but then there are other artists where I want something really nice and that's all I'll settle for.
With cels, it really depends on the scene. There have been times where I've purchased something from a sequence thinking that I'll upgrade with later and, over a decade later, I haven't seen anything else come up for sale from that sequence.
I was thinking of collecting Chibausa cels but found them to be quite expensive. They're at least $300 and the ones I really like are 1k. I'm not that invested in Sailor Moon so I gave up on the idea.I still purchase the occasional cel from Sailor Moon and Cardcaptor Sakura. With CCS, the prices have really skyrocketed since I started collecting back in 2008(?). There used to be a seller that would put a couple small lots of 2-3 backgrounds on Yahoo Japan every week that I would buy from.
Sailor Moon prices went up when Crystal was in production but I'm assuming as that reboot was an overall disappointment, prices have returned back to pre-Crystal levels.
I own more artwork from other series sketch-wise than I do cel-wise. For example, I don't own any cels from GiTS but I do own a couple GiTS sketches drawn by Kazuchika Kise. He's very eccentric in real life, but one of my favorite artists that I've ever met.
You own one of her sketches?I was tempted to go back to AX last year because of Hatori, but because I already owned one of her sketches and because I knew that her sponsor, Viz, was going to limit it to an autograph on a pre-printed board, I opted not to attend. I've been to many AXs in the past. I find that AX alternates between good and bad years, although the good has progressively gotten worse and more expensive to experience. When I last attended, I spent $1200 on 5 nights at Courtyard LA Live. At other conventions, I spend half that on a room for 4-5 nights.
I hope she was a nice person to meet though and you were able ask her a question or two.
As an FYI, most corporate sponsors make it so that their guests won't draw for attendees. If a guest is being sponsored by Aniplex, Viz, GoodSmile or any other very large corporation, they're not going to draw and will most likely not donate a sketch to the auction, assuming there is one.
I have a lot of backgrounds from Kobato and some backgrounds from various other series like Chihayafuru, but I don’t look for backgrounds as much as I used to search for them. A lot of studios trash them.eternaltorture wrote: ↑Sat Apr 25, 2020 11:37 amDo you collect backgrounds from series other than CCS? I've been wanting to get some from Sci-fi animes, wondering if they crop up often
Here’s most of them. Still haven’t updated with the nengajo yet -I'm jealous! GiTS is like my favorite franchise and getting a sketch from Kazuchika Kise would be a dream. Do you have photos of them up anywhere?
YJ. I picked up a Millennium Snow sketch several years ago. I’ve never seen any of her Ouran sketches for sale. I probably couldn’t afford it anywaysYou own one of her sketches?That's crazy!
Did you get it in person or through Mandarake/YJ?
I’ve never been to Anime Midwest. How is that convention?Yeah, I think I got more sketches at smaller cons like ACen and Anime Midwest than I did at AX. Also spent more on airfare/hotels for it.... Kinda hesitant on attending future ones